This Head Study was part of a continuing effort to sharpen my portrait work—focusing on structure, proportion, and brush economy.
It wasn’t meant to be a finished piece, but sometimes these studies end up holding something more honest than planned. The looseness, the tension, the trial and error—it’s all part of what makes these types of paintings compelling in their own right.
Painted in oil on linen canvas panel, this one stands well on its own or as part of a larger group of process pieces. Ideal for collectors who value the practice as much as the polished outcome. Available now as a one-of-one original.